Edward Burtynsky: Water, Grinnell College, Faulconer Gallery, Grinnell, Iowa, USA, July 11 - September 28, 2014
Edward Burtynsky: Water, Scheublein + Bak, Zurich, Switzerland,
Water! Neue Fotografien von Edward Burtynsky, Altana Kultur Stiftung Museum Sinclair-Haus, Bad Homburg, Germany,
Edward Burtynsky: Water, Sundaram Tagore Gallery, Hong Kong,
A Terrible Beauty: Edward Burtynsky, Vancouver Art Gallery, Canada
Edward Burtynsky: Water, Galerie Springer, Berlin, Germany, (in collaboration with Galerie Stefan Röpke, Köln)
Edward Burtynsky: Water, Sundaram Tagore Gallery, Singapore,
Edward Burtynsky: Water, Paul Kuhn Gallery, Calgary, Alberta, Canada,
Edward Burtynsky, Canada House Galley, London, U.K.
Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA,
Edward Burtynsky: The Landscape That We Change, McMichael Canadian Art Collection, Kleinberg, Canada,
Royal Academy Summer Exhibition, London, UK,
Nature Transformed: Edward Burtynsky's Vermont Quarry Photographs in Context, Middlebury College Museum of Art, Middlebury, Vermont, USA,
Burtynsky: Oil, Canadian Museum of Nature, Ottawa, Canada,
Material Matters, UNB Art Centre, University of New Brunswick, Fredericton, New Brunswick, Canada,
Edward Burtynsky, Hall Art Foundation, Reading, Vermont, USA,
Burtynsky: Oil, Taubman Museum, Roanoke, Virginia, USA,
Burtynsky: Oil, c/o Berlin, Germany,
Nature Transformed: Edward Burtynsky's Vermont Quarry Photographs in Context, Hood Museum, Dartmouth College, Hanover, New Hampshire, USA
Burtynsky: Oil, The Photographer's Gallery, London, UK
Burtynsky: Oil, Nevada Museum of Art, Reno, Nevada, USA,
Edward Burtynsky: The Industrial Sublime, Frist Center for the Visual Arts, Nashville, Tennessee, USA,
Burtynsky: Oil, McCord Museum, Montréal, Quebec, Canada,
Edward Burtynsky: L'home I La Terra, Llums I Ombres, Centre d'Art Tecla Sala, L'Hospitalet de Llobregat, Barcelona, Spain,
Edward Burtynsky: The Industrial Sublime, (touring exhibition) Shaw Gallery, Weber State University, Ogden, Utah, USA,
Edward Burtynsky: El hombre y la tierra. Luces y sombras, Sala Municipal de Exposiciones de San Benito, Valladolid, Spain,
Burtynsky: Oil, Ryerson University in association with the Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Canada,
Burtynsky: Oil, Fotografiska Museet, Stockholm, Sweden,
Burtynsky: Oil, Altana Kulturstiftung, Bad Homburg, Germany,
Edward Burtynsky: L'Uomo e la Terra. Luci e Ombre, Centro Culturale di Milano, Milan, Italy,
Burtynsky: Oil, Art Gallery of Alberta, Edmonton, Canada,
Australian Minescapes, Brisbane Powerhouse, Brisbane, Australia,
Burtynsky: Oil, The Rooms - Provincial Art Gallery, St. John's, Newfoundland, Canada,
Australian Minescapes, Western Australian Museum, Geralton, Australia,
Burtynsky: Oil, Huis Marseille, Amsterdam, The Netherlands,
Burtynsky: Oil,Corcoran Gallery of Art, Washington, D.C., USA,
Australian Minescapes, Australian Centre for Photography, Melbourne, Australia,
Edward Burtynsky: A Survey, Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada,
Edward Burtynsky: Uneasy Beauty, Surrey Art Gallery, Surrey, British Columbia, Canada,
Material World, Queen's University, Kingston, Ontario, Canada,
Australian Minescapes, Western Australian Maritime Museum, Fremantle, Australia,
In Pursuit of Progress, Winnipeg Art Gallery, Winnipeg, Canada,
Manufactured Landscapes, Gemeentemuseum Helmond, Helmond, Netherlands,
China Works, Koldo Mitxelena Kulturunea, San Sebastián, Spain,
Burtynsky Photographs, (major survey exhibition) Gemeentemuseum Helmond, The Netherlands,
Edward Burtynsky: Photographs, Canadian Cultural Institute, Paris, France
Edward Burtynsky: The China Series, (touring exhibition) curated by David Brown, Southeastern Center for Contemporary Art,
Edward Burtynsky: The Edmonton Art Gallery Gift, Edmonton Art Gallery, Edmonton, Alberta, Canada
PhotoEspana, Centro Cultural de la Villa, Madrid, Spain
Manufactured Landscapes, (includes 24 new China images), Brooklyn Museum of Art, Brooklyn, New York, NY, USA
Manufactured Landscapes, Museum of Photographic Arts, San Diego, California, USA
Manufactured Landscapes, Iris & B. Gerald Cantor Center for Visual Art, Stanford University, Stanford, California, USA
Entropia, Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain
Burtynsky — China, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA (touring exhibition - see above)
Manufactured Landscapes, Art Gallery of Ontario, Toronto, Canada
Edward Burtynsky: Mid-Career Retrospective, The National Gallery of Canada, Ottawa, Ontario, Canada,
Burtynsky, Kitchener-Waterloo Art Gallery, Kitchener, Ontario, Canada
Burtynsky, The Prairie Art Gallery, Grand Prairie, Alberta, Canada
Survey Show, Burlington Art Centre, Burlington, Ontario, Canada
Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky, - Canadian Centre for Architecture, Montréal, Québec, Canada
Edward Burtynsky Photographs, McMaster Museum of Art, Hamilton, Ontario,, Canada
Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky, Canadian Centre for Architecture, Montréal, Québec, Canada
Breaking Ground, - Produced by the Canadian Museum of Contemporary Photography Exhibition tour:
Earthworks, Kitchener Waterloo Art Gallery, Kitchener, Ontario, Canada
Earthworks, A Moment in Time Gallery, Toronto, Ontario, Canada
Landscapes & Greenhouses, Ryerson Photographic Arts Gallery, Toronto, Ontario, Canada
The Power of Water, Fotodok, Space for Documentary Photography, Utrecht, The Nederlands, September 7 - October 26, 2014
Nets: Weaving Webs in Art, Kunsthalle zu Kiel, Germany,
Blue: Matter, Mood, and Melancholy, 21c Museum, Cincinnati, Ohio, USA,
Royal Academy Summer Exhibition, London, UK,
Landmark: The Fields of Photography, Somerset House, London, UK,
Format, International Photography Festival, Derby, UK,
Big Pictures, Amon Carter Museum of American Art. Fort Worth, USA,
Climate of Uncertainty, DePaul Art Museum, Chicago, Illinois, USA,
Picturing the Sublime, The Phillips Collection, Washington D.C., USA,
No Strangers: Ancient Wisdom in a Modern World, Annenberg Space for Photography, Los Angeles, California, USA,
Down to Earth: Herblock and Photographers Observe the Environment, Library of Congress, Washington, D.C. USA,
America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA,
Newtopia, Van Busleyden Court, Mechelen, Belgium,
Freedom Of/For/To, The Haggerty Museum of Art, Milwaukee, Wisconsin, USA,
Looking Back at Earth: Contemporary Environmental Photography, The Hood Museum, Hannover, New Hampshire, USA,
Subverted, Ivory Press, Madrid, Spain,
Infinite Balance, Museum of Photographic Arts (MoPA), San Diego, California, USA,
Songs of the Future: Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, Canada,
The Ocean Reglitterized, Pelham Art Center, Pelham, New York, NY, USA,
Royal Academy Summer Exhibition, London, UK,
The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno, Nevada, USA,
The Eye is a Lonely Hunter: Images of Human Kind - Ecological Circuits, Wilhelm Hack-Museum, Ludwigshafen, Germany,
Seeing Now: Photography Since 1960, The Baltimore Museum of Art, Baltimore, MD, USA,
The Kasper Collection: Mannerism and Modernism, The Morgan Library and Museum, New York, NY, USA,
Weltbilder 4, Helmhaus, Zurich, Switzerland,
September 23 - November 13, 2011
Embarrassment of Riches: Picturing Global Wealth, Minneapolis Institute of Arts, Minneapolis, MN, USA,
Developed and Undeveloped: Photographic Landscapes, de Young Fine Arts Museum, San Francisco, USA,
Energy = Labour, Stiftung Brandenburger Tor, Berlin, Germany,
In Light: Selections from the Permanent Collection, Museum of Photographic Arts, San Diego, CA, USA,
May 8 - January 3, 2011
Water: National Geographic, Annenberg Space for Photography, Los Angeles, California, USA,
The Art of Caring: A Look at Life Through Photography, The Cincinnati Museum Center, Cincinnati, OH, USA,
Prix Pictet: Earth,
The Empty Quarter, Dubai,
Vanishing Landscapes/Verschwindende Landschaften, Galerie Nikolaus Ruzicska, Salzburg, Austria, November
In the Darkroom: Photographic Processes before the Digital Age, National Gallery of Art, Washington, DC, USA,
Earth: Art of a Changing World, Royal Academy of Arts, London, UK,
Prix Pictet 2009: Earth,
December 14, 2009 - February 28, 2010 Moor House, London, U.K.,
October 12 - October 30 Purdy Hicks Gallery, London, U.K.,
October 5 - October 10
Les Visages de l'industrie, Musée des beaux-arts, Le Locle, Switzerland,
Substantial Resources, Art Gallery of Sudbury, Sudbury, Ontario, Canada,
Una fábrica, Una Máqina Un Cuerpo, Museo Universitario de Arte Contemporaneo, Mexico City,
Nature Nation, Museum on the Seam, Jerusalem, Israel,
Una fábrica, Una Máqina Un Cuerpo, Centre de Documentació Panera, Lleida, Spain,
The Art of Caring: A Look at Life Through Photohgraphy, New Orleans Museum of Art, LA,
Damaged Romanticism: A Mirror of Modern Emotion, Grey Art Gallery, New York University, New York, NY, USA,
Trouble in Paradise: Examining Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona,
Prix Pictet 2008 Shortlisted Artists Exhibition:
Thessaloniki Museum of Photography, Thessaloniki,
Royal Geographical Society, London, U.K., The Intelligence Squared Green Festival, January 24 - 25
Eindhoven University of Technology, Eindhoven,
La Grande Image: Histoire de la Photographie Panoramique de 1839 à nos jours, Pavillon Populaire, Montpellier, France,
Prix Pictet, Palais de Tokyo, Paris, France,
Highlights from the Fotographfis Collection, Bank of Austria Kunstforum, Vienna, Austria
Picture the Process: Landscape through Time and Space, Museum of Photographic Arts, San Diego, CA, USA,
The Tropics, Martin Gropius Bau, Berlin,
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate,
Moving Walls, Open Society Institute, Washington, DC, USA,
1% - Water and Our Future, Hasselt, Belgium,
Sound the Alarm: Landscapes in Distress, Glyndor Gallery, Wave Hill, The Bronx, New York, NY, USA
Shifting Landscapes, Power House Arena, Brooklyn, New York, NY, USA
Eastern Standard: Western Artists in China, Massachusetts Museum of Contemporary Art, USA
Ingenuity, Palais des Beaux Arts, Brussels, Belgium
Relics and Ruins, Instituto Oi Futuro, Rio de Janeiro, Brazil & SESC Paulista, Sao Paulo, Brazil.
China Works, Center Koldo Mitxelena, San Sebastian, Spain
International Biennial of Photography and Visual Arts, Liege, Belgium
Moving Walls, Open Society Institute, New York, NY, USA,
We are All Photographers Now!, Musée de l'Elysée, Lausanne, Switzerland
A History of Photography, Victoria and Albert Museum, London, UK
Imaging a Shattering Earth, Dalhousie Art Gallery, Halifax
Ingenuity, Gulbekian Foundation, Lisbon, Portugal
C On Cities, Venice Bienalle, Pavillion Padiglione Italia, Giardini della Biennale, Venice, Italy
Imaging Asia in Documents, 1st Photo Biennale, Daegu , Korea
The photographic document: Aspects & Transformations, Photography Museum of Thessaloniki, Greece
Made in China, Museum of Contemporary Photography, Chicago, Illinois, USA
Modern Times: Work, Machinery and Automation in the Arts of 1900, Palazzo Ducale, Genoa, Italy
Imaging a Shattering Earth, Museum of Contemporary Canadian Art (MOCCA), Contact Photo Festival, Toronto, Ontario, Canada,
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, Oakland University, Rochester, Michigan, USA
Disaster Topographics, Toronto Photographer's Workshop, Toronto, Ontario, Canada
Industry and Entropy, Freedman Gallery, Albright College Center for the Arts, Reading, Pennsylvania, USA, (cat)
In Praise of Plenty, Museum of Photographic Arts, San Diego, CA, USA
Altered Landscape: The Carol Franc Buck Collection, Norsk Museum for Fotografi – Preus Fotomuseum, Horten, Norway & Nevada Museum of Art, Reno, Nevada, USA
New Acquisitions: New Work / New Directions3 / Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, California, USA
Altered States: Landscape Transformation in the Wake of Progress, University Art Gallery, University of California, San Diego, La Jolla, California, USA
Detourism, The Renaissance Society, University of Chicago, Chicago, Illinois, USA
Constructed Identities: Edward Burtynsky & Suzy Lake, Burlington Arts'Centre, Burlington, Ontario, Canada
Site/Seeing, Art Gallery of Ontario, Toronto, Ontario, Canada
Virgin Land, Nassauischer KunstVerein, Weisbaden, Germany
The Sudbury Basin: Industrial Topographies, The Art Gallery of Sudbury, Ontario, Canada
On the Nature of Landscape, Mt. Holyoke College Art Museum, South Hadley, Massachusetts, USA
Work, Workers, Works: Rearranging the Land, Dalhousie University, Halifax, Nova Scotia, Canada
The Big Picture, Albright-Knox Gallery, Buffalo, New York, NY, USA
Before the Land Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa, Canada
Burtynsky/Maynard, Art Gallery of Ontario, Ontario, Canada
Embodied Spaces, Le Mois de la Photo, Montreal, Quebec, Canada (cat)
Beau: A Reflection on Beauty of Nature in Photography, Canadian Museum of Contemporary Photography, Ottawa, Ontario, Canada (cat)
Tainted Prospects: Photographers and the Compromised Environment, Co-curated by John Pfahl and Sandra Olsen, Castellani Art Museum, Lewiston, New York, NY, USA (cat)
The Landscape: Eight Canadian Photographers, McMichael Canadian Art Collection, Kleinburg, Ontario, Canada (cat)
Le Mois de la Photo, Curator: Katy McCormick, Concordia University, Montréal, Québec, Canada
Money Matters: A Critical Look at Bank Architecture, Museum of Fine Arts, Houston, Texas, USA, (book),
Structure and Landscape in Contemporary Canadian Photography, Art Gallery of Northumberland, Cobourg, Ontario, Canada
What is Photography: 150 Years of Photography, Prague, Czechoslovakia (cat)
Focus '87, Art Gallery of Ontario, Ontario
Transitions: The Landscape, Produced and toured by The National Film Board (now CMCP)
Rogers Best Canadian Film Award,
Honorary Degree - Doctor of Arts degree from Middlebury College, Vermont, USA
Honorary Doctoral Degree - University of British Columbia, Canada
Tiffany Mark Award - honors men and women who, through their professional or philanthropic endeavours, make a difference to their community.
|2011||National Magazine Awards, Gold Prize: Conceptual Photography, Toronto, Ontario, Canada
MOCCA award, Toronto, Ontario, Canada
Honorary Degree - Doctor of Laws, Mt. Allison University, Sackville, New Brunswick, Canada
Deutscher Fotobuchpreis - Silver Award, Burtynsky: Oil
|2010||Kraszna-Krausz Book Award, UK, for Burtynsky: Oil|
|2009||Prix Pictet, London, UK, Nomination & Short Listed|
|2008||Planet in Focus Media/Industry Eco-Hero Award
Canadian Environment Awards: Ideas for Life
Prix Pictet, London, UK, Nomination & Short Listed
Deutscher Börse Prize, Nomination, London, UK
Ideas for Life Award, Canadian Environment Awards
Toronto Friends of the Visual Arts, Achievement Award
ICP Infinity Award, Art category, International Center of Photography, New York, NY, USA
Deutscher Fotobuchpreis - for Burtynsky: Quarries
Honorary Degree, - Doctor of Laws, Queen’s University, Kingston, Canada
Honorary Degree, - Doctor of Fine Arts in Photography Study, Ryerson University, Toronto, Canada
Honorary Degree, - Doctor of Fine Arts, Montserrat College of Art, Boston, USA
Officer of the Order of Canada,
Rogers Best Documentary Film Award, - Manufactured Landscapes, Jennifer Baichwal and Edward Burtynksy
Flying Elephants Foundation Fellowship,
TED Prize, - (inaugural) Monterrey, California, USA
The Rencontres d'Arles Outreach Award, Arles, France
Roloff Beny Book Award, Toronto, Ontario, Canada
Applied Arts Magazine, - Photographic Book Award
Governor General of Canada Delegate, – Circumpolar State Visit to Finland and Iceland
Royal Canadian Academy of Arts, – Academician's Honours
National Magazine Awards Foundation, – Photojournalism Silver Award
SELECTED PUBLIC COLLECTIONS
SELECTED CORPORATE COLLECTIONS
Baird, Daniel. “Planet Water: Edward Burtynsky Embarks on a New Film Partnership.” Canadian Art, summer, p. 86 - 93.
Burtynsky, Edward. BURTYNSKY - WATER, Göttingen, Germany: Steidl Verlag,
Bossen, Howard, Eric Freedman, and Julie Mianecki. “Hot Metal, Cold Reality: Photographers’ Access to Steel Mills.” Visual Communication Quarterly,Vol. 20, Number 1, pg. 4-19
Franzoni, Christina. “Edward Burtynsky.” ZOOM Photographic Art, winter.
Pritchett, Jennifer. “Troubled Waters.” Telegraph Journal, December 14.
Schuster, Joshua. “Between Manufacturing and Landscapes: Edward Burtynsky and the Photography of Ecology.” Photography & Culture, Vol. 6, Issue 2, July.
Pappas, Steven M. “BARRE - Edward Burtynsky has a thing for Vermont quarries.” Times Argus, July.
Angel, Sara. “Refined Crude.” Eye Weekly, Toronto, April 14-21, p. 18-19.
Enright, Robert. “The Fine and Excruciating Construction of the World.” Border Crossings, March, p.22-37.
Godard, Peter. “Labour of Love.” The Toronto Star, Toronto, February 3, p. E1, E7.
Keats, Jonathon. “The Grim and Beautiful Vision of Edward Burtynsky.” Men’s Journal, New York, NY, USA, April, p. 78-83.
Roth, Paul. “Edward Burtynsky: Oil.” Contact: Figure + Ground, May, p. 54-61.
Rydell, Malena. “Mr. Dump Master.” Fotografiska, Stockholm, Sweden, p. 16-19.
Singer, Peter, Bernardo Kliksberg, and Kristin Shrader-Frechette. Values and Ethics for the 21st Century. BBVA, 2011.
Viau, Par Rene. “Une Beaute Contaminée.” Vie des Arts, winter #221, p. 48.
Vigano, Enrica. “Edward Burtynsky: L’uomo e la terra.” Luci e ombre, Centro Culturale di Milano, Italy, (cat.).
Axsom, Richard H. (ed). “100 Years 100 Works of Art.” Grand Rapids Art Museum, Michigan, p.200-201.
Burtynsky, Edward. Pentimento, Burtynsky Studio, September, hardcover/softcover/folio editions.
“Edward Burtynsky: Beaute Coupable.” Azart Photographie, Paris, France, p.76-83.
Hodgson, Francis. “Edward Burtynsky: Oil.” Portfolio, May, p. 22-33.
Soberano, Amy. “Production Studio.” Lifestyles Magazine, New York, NY, USA, winter #230, P. 52-57.
Acosta, Jimena. “The Aesthetics of the Plunder.” Arquine, Mexico, summer #48, p. 44- 47.
“Australian Minescapes.” Galerie Stefan Röpke, Cologne, Germany (cat.).
Burtynsky, Edward. BURTYNSKY - OIL, Göttingen, Germany: Steidl Verlag, October, 216 pages.
Blackwell, Lewis. “Photo Wisdom.” Nelson Education, California, p. 58-63.
Cammaer, Gerda. “Praxis: Film Review - Edward Burtynsky's Manufactured Landscapes: The Ethics and Aesthetics of Creating Moving Still Images and Stilling Moving Images of Ecological Disasters.” Environmental Communication, March, p. 121-130.
Clark, David. “Photography in 100 Words.” Argentum, London, November, p. 28.
Criteria, Keimeno. “Oil.” Epsilon 968, Greece, November 1, p. 9, 15.
Juniper, Tony. “Enough Hot Air - Here’s Al’s Plan.” The Times, November 7.
Kaldis, P. “Meta Industrial Landscape.” Photo Mag, Greece. February #182, p. 34-35.
Laviolette, Mary-Beth. “Man Made Space.” Swerve, Calgary, Canada, February, p. 25.
Patalay, Ajesh. “Blighted and Beautiful.” Telegraph Magazine, London, UK, November 21, p. 34-40.
Remy, Patrick. “Qu’est-Ce-Que La Photographie Aujourd’Hui?” Paris: Beaux Arts, Paris, France, November, p. 84-85.
Risch, Conor. “Edward Burtynsky: Economies of Scale.” PDN, October 30.
Sass, Julie, and Emily Handlin. “Trouble in Paradise.” Tucson Museum of Art, Tucson, USA, p. 56-59.
Baillargeon, Claude. “Affinity and Dialectic in Twice Removed.” Nicholas Metivier Gallery, April 2008.
Campbell, Craig. “Residual Landscapes and the Everyday.” Space and Culture, Edmonton, Canada, February, 39-50.
Davies, John. “Edward Burtynsky: The photographer who’s out to save the world from itself.” Art World, p. 126-128.
“Rock of Ages.” Kaze No Tabibito #35, Tokyo, Japan. December, p. 25-44.
Grande, John K. “Interview with Edward Burtynsky.” Grand Tour- Perspecta 41, June, p.153-158
Harding, Stephan. “Intelligent Growth.” Resurgence Magazine, Devon, U.K., March/April #247, p. 12-13.
“Heaven.” LIFE Magazine: CHINA, April 2008, 16-33.
Laurence, Robin. “Edward Burtynsky.” Border Crossings, Winnipeg, Canada, (June #110-2) p. 80.
“Picture Power: The Cost of Progress.” Newsweek, Beijing, China, July, p. 84-87.
Van Der Have, Gert - Jan. “Photographic Insight into Awe-inspiring Industry.” Recycling International, May, p. 97.
Williams, Rosalind. “Edward Burtynsky.” Tendencias, Madrid, Spain, p. 58.
A User’s Guide for the 21st Century. New York, NY, USA: Worldchanging, January, 600 pages.
Burtynsky, Edward. BURTYNSKY - QUARRIES. Germany: Steidl, October, 192 pages.
Edgar, Ray. “The Price of Power: How effective is art in politics? Edward Burtynsky's dilemma.” Monument Magazine, June, 48-52, 90.
“Histoire - Geographie Terminales.” Editions Magnard, Paris, France, June.
Lombino, Mary-Kay. “Utopia Land: Utopian Mirage.” Loeb Art Centre: Vassar College, New York, NY, USA, May.
Marchessault, Janine. “Manufacturing Humanism: Steichen/Burtynsky.” PREFIX PHOTO #15, May 2007, 55-67.
Remy, Patrick. “Qu’est-ce Que La Photographie Aujourd’hui?” Beaux Arts Magazine, May 11, 2007.
Shuttleworth, Joanne. “Edward Burtynsky’s Beleaguered Beauty.” Guelph Mercury, sec. B1, B3, January 26, 2007.
Smyth, Diane. “Another Planet: Cover Story.” The British Journal of Photography, August 15, 2007, 18-27.
Allen, Laura, and Mark Smout. “Augmented Landscapes.” Pamphlet Architecture 28, New York, NY, USA: Princeton Architectural Press, March.
Bais, Karolien. “Groen China.” P+: People, Planet, Profit, p. 52-54.
Burtynsky, Edward. “The Rice of China, Edward Burtynsky’s view on China.” Dam 6, 20 countries. April/May, p.22-29.
C International Photo Magazine. Ivory Press (two editions: English/Chinese and Spanish/Japanese) June, Issue #2.
Coupland, Douglas. “Photography in Canada.” Carte Blanche, Toronto, Canada, April 15, Vol. 1.
Cruz, Pozo. “The Seed of Destruction.” La Fabrica, Madrid, Spain, October.
Erb, Nadja. “Bilder Einer Maschinenwelt.” Frankfurter Rundschau, July 15, p. 8.
Girardet, Herbert. “Which Way China.” Resurgence #236. Bideford, UK: Hartland, May/June.
Glaseby, Joanne. “Fast Forward: Photographer Edward Burtynsky’s Exquisite, Detailed Work…” Zag, London, UK/ New York, NY, USA, March.
Grande, John K. “Manufactured Landscapes - an interview with Ed Burtynsky.” Etc. Magazine, Montreal, Canada. (Fall #75) p. 18-27.
Hebert, Natasha. “Edward Burtynsky - China.” Galeria Toni Tapies, April 6.
Peters, Brad. “Behind the Lens.” Niagara Magazine, p. 28-33.
Petty, Jules. “Myth of Progress.” Adbusters #67, Vancouver, Canada. (Sep/Oct, Vol. 14, no. 5) p. 70-71.
Ringel, Stephanie. “Die Weltfabrik.” Sie + Er Magazine, Zurich, Switzerland. (January 2, No. 1/06) p. 30-43.
Sexton, Elaine. “Edward Burtynsky: Brooklyn Museum and Charles Cowles.” ARTnews, p. 26.
Scott, Michael. “China Caught On Camera.” Vancouver Sun, sec. B2, October 10.
Slotek, Jim. “The Earth Moves.” Toronto Sun - Sunday Showcase, September, p. 8,9.
Supervivencia y Bienestar / Survival and Well-being: Burtynsky - China Portfolio. Mexico City: Picnic. (Nov/Dec #13) p. 98-103.
Tousley, Nancy. “Burtynsky in China.” Calgary Herald, February 11, p. F4.
Tremblay, Celine. “La Vie En Rose.” Living with Style, p. 158-170.
Viernes: El Periódico de Catalunya. Barcelona, Spain, April.
Vigano, Enrica. “Edward Burtynsky: Dilemas.” Naturaleza: PHE06, p. 78-85, 241.
Weber, Andreas. “Kuenstliche Landschaften: Die Shönheit des Hässlichen – Die Schönheit der Zerstörung.” GEO Magazine, Hamburg, Germany, March, p.100-111.
Whyte, Murray. “New Perspective.” Toronto Star, sec. C1, C4, December 3.
Work. Washington DC, USA: National Geographic Society, September, 352 pages.
Wroblewska, Magdalena. “Edward Burtynsky.” Pozytyw Foto, June, p. 32-48.
Zollner, Manfred. “Reich im Umbruch.” fotoMAGAZIN, Hamburg, Germany. (February 17, Issue #3) p.19-23.
Baker, Kenneth. “As Nature Bleeds, Edward Burtynsky Gets the Big Picture.” San Francisco Chronicle, July 6.
Burtynsky, Edward. BURTYNSKY - CHINA. Göttingen, Germany: Steidl Verlag, October, 180 pages.
Dixon, Guy. “A Warning From the Wastelands.” The Globe and Mail, Toronto, April 7, p. R1-R3.
Entropia. Bilbao, Spain: Fundacion Bilbao Bizkaia Kutxa, October (cat.).
Goddard, Peter. “Terror in Progress.” Toronto Star, October 1, p. H10.
Harris, Jeff. “The Reinvention of China.” MacLean’s, Toronto, February 24, p. 34-37.
Helfand, Glen. “Edward Burtynsky.” Artforum, January, p. 258.
O’Keefe, Christina. “The Art of Transformation.” See Magazine, December 8, p.25.
Roderick, Daffyd. “Made in Canada: Frame of Work.” Time (Canadian Edition), Arts & Culture, New York, NY, USA, September 19.
Sansom, Anna. “The Beauty of Progress: Edward Burtynsky’s widescreen Industrial Visions.” Spoon, UK, November, p. 58-65.
Browne, Kevin. “It Isn’t A Snap.” National Post, February 7.
Dault, Gary Michael. “Before the Flood: New works by Edward Burtynsky.” Fotografia.
Green, Tyler. “Demolition Man.” Blackbook, summer, 80-84.
Mulhallen, Karen. “Descant 127.” Canadian Art Council, winter.
Waters, Christopher. “Altered Forever.” Spectrum Verve, sec. B1, B3, February 27.
Whyte, Murray. “Adding up the Price that Nature Pays.” The New York Times, January.
Whyte, Murray. “Beautiful Mines.” ART News. February, p. 70-74.
Pauli, Lori. Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada / Yale University Press, Ottawa / New Haven, London, 2003.
Burtynsky, Edward. Before the Flood, Burtynsky Studio, April (cat.).
Curtis, Verna Posever. “In the Wake of Progress: Images Of Industrial Landscapes.” Canadian Embassy in Washington, June 12, 2003.
Dault, Gary Michael. “The Eleventh Hour in Photography.” Canadian Art, spring, cover, p. 56-61.
Darwent, Charles. “Unnatural Beauty.” The Independent, London, UK, May 11, p.23.
Dawson, Jessica. “Unnatural Wonders.” Washington Post, Washington D.C., USA, August 7, p. C5.
Fulford, Robert. “Industrial Light and Magic.” National Post, Toronto, March 11.
Lahey, Anita. “The Intrepid Photographer: In search of Industrial Lyricism.” Vernissage, Ottawa, Canada: National Gallery of Canada, winter p. 20-23.
Milroy, Sarah. “On the Eve of Destruction.” The Globe and Mail, sec. R6, May 31.
Whyte, Murray. “Mapping the High Cost of Progress.” The Toronto Star, sec. F4, June 8.
Youngs, Christopher. “Industry and Entropy.” Albright College Center for the Arts, March (cat.).
Young, Marnin. “Manufactured Landscapes: The Photography of Edward Burtynsky.” Afterimage, May, p. 8-9.
Fulford, Robert. "Art Around Every Corner." The National Post, Toronto, Canada, May 9, p. AL3.
Holmes, Stephen. "Acquiring Taste." Real Art Ways, Hartford, USA, Feb/June, p. 85.
Leffingwell, Edward. "Reviews: Edward Burtynsky at Charles Cowles." Art In America, Toronto, Canada, June, p.129.
Baker, Kenneth. “Edward Burtynsky.” ARTnews, New York, NY, USA, May.
Burtynsky, Edward. Residual Landscapes: Studies of Industrial Transfiguration, Toronto, Canada: Lumiere Press.
Donegan, Rosemary. “Awesome Ambiguity.” Prefix Photo, Toronto, Canada, November 30, p. 6-23.
Mayer, Marc. “A Dystopian Sublime: Edward Burtynsky’s Grand Tour.” Vanity Press, Edward Burtynsky (cat.).
Mays, John Bentley. “A Melancholy Beauty: Edward Burtynsky’s Shipbreaking images are revealing in their humanity.” The National Post, Toronto, Canada, April 25.
Richler, Noah. “Residual Landscapes.” Saturday Night Magazine, Toronto, Canada. May 19, p.25-29.
Hanna, Dierdre. "Ed Burtynsky ignites industrial passions." Now Magazine, Toronto, Canada, Oct/Nov.
Falk, Dan. “Mining Modern Day Industry For Art Gems.” The Globe and Mail, Toronto, Canada, May 5.
Long, Andrew. "Landscapes in Flux." Art & Antiques, New York, NY, USA, December.
Pedersen, Andy. “Disfigured Landscapes.” The Daily News - Matinee, November 1.
Rhodes, Richard. “Tailings.” Canadian Art, Toronto, Canada, p. 52-61.
Burtynsky, Edward. Quarries. Toronto, Canada: Burtynsky Studio (cat.).
Hanna, Deirdre. "Ed Burtynsky’s Quarry Photos Uncover Troubling Splendour." NOW Magazine, March 31.
Hume, Christopher. "Quarries." The Toronto Star, February 24, sec. E, E2.
Cundiff, Brad. "Ed Burtynsky." Studio Magazine, November, cover, p. 12-15.
Stacey, Robert. "The Stone Quarries." Canadian Art, March, 72-73.
Pfahl, John, and Sandra Olsen. Tainted Prospects: Photographs and the Compromised Environment. Niagara, USA: Castellani Art Museum (cat.).
Barbour, David. The Landscape. Kleinburg, Canada: McMichael Art Collection, (cat.).
Harris, David. Money Matters: A Critical Look at Bank Architecture. Montreal, Quebec: Canadian Centre for Architecture (cat.)
Wagg, Susan. Money Matters: A Critical Look at Bank Architecture. Whitby, Canada: McGraw-Hill.
Burtynsky, Edward. Breaking Ground. Ottawa, Canada: Canadian Museum of Contemporary Photography (cat.).
Clark, Douglas. "Edward Burtynsky: The Breaking Ground." Views, Toronto, Canada, July, cover, p. 5, 8.
Langford, Martha. Contemporary Canadian Photography. Hurtig Publishers Ltd., 1984.
MEDIA, SPECIAL EVENTS / COLLABORATIONS
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Wrench, Collaborative new music project with Hexnut ensemble of Amsterdam. Tours Europe and North America (tba) until 2013.
Musiques Emergées: New Music concert collaboration with Alex Pauk / Esprit Orchestra, and John Price experimental film and projections, November 18, 2012
OIL book APP Published in collaboration with Melcher Media, New York, NY, USA, May 2012.
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Edward Burtynsky's complete CV,
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