By Laura Decarufel
The Kit

As a culture, we’ve long relied on artists to both interpret our existing reality and to light a path to the future. Edward Burtynsky, 67, has been acting as such a prophet for 40 years. In his large-scale photographs of shipyards in China, logged forests in B.C. and African landfills dotted with Dollarama bags, he captures both the majestic beauty of our world—and the scale of the problems facing it.

Burtynsky’s latest project, “In the Wake of Progress,” is an immersive installation and a cri de coeur about the threat of climate change. (It debuts in June as part of Toronto’s Luminato arts festival and will then travel internationally.) The installation is two-pronged: a public art piece in Yonge-Dundas Square and a considerably more private experience, where viewers sit in a darkened room surrounded by three massive screens showing still photos and video—taken by Burtynsky across his career, around the world—all set to music that is alternately menacing and hopeful, courtesy of birdsong from ancient B.C. forests. As a career retrospective, it’s impressive. As a work of art, it’s beautiful, heartbreaking, galvanizing.

Read the full interview here.