By Simon Ings
New Scientist
There is no geophysical logic to the sharp partition in the middle of this picture. A US federal act, the Land Ordinance of 1785, divided North America’s vast western territories into rectilinear townships and sections. So when pumps pull water out of the aquifer beneath Salt River Valley, Arizona, squares of desert like this suburb of Phoenix grow green, settled and busy.
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Read MoreBy Hailey Akau
Flaunt Magazine
New York City—the Big Apple, the city that never sleeps, perhaps even, a city among the greats on the world stage—becomes the focal point for contemporary photographer Edward Burtynsky’s return this summer with citywide programming centered on the artist’s climate mission. The International Center of Photography will exhibit Edward Burtynsky: The Great Acceleration from June 19 to September 28.
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Read MoreBy Ben Sutton
The Art Newspaper
The Canadian photographer Edward Burtynsky has spent more than 40 years chronicling the many ways that humans have remade the natural landscape to suit their wants and needs. His work has taken him from greenhouses in Ontario, oilfields in Texas and suburban developments in the Arizona desert to e-waste recycling communities in China, shipbreaking yards in Bangladesh and clothing factories in Ethiopia. Now, more than 70 of his photographs from 1981 onwards are on view in Edward Burtynsky: The Great Acceleration (until 28 September), a retrospective at the International Center of Photography (ICP) in New York curated by the centre’s creative director, David Campany.
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