By Elizabeth Pagliacolo
Edward Burtynsky’s new doc (debuting at TIFF) and upcoming exhibition (at the AGO) make the case – through stunning photography – that humans are impacting the Earth more than all natural systems combined.
There is a scene in Anthropocene: The Human Epoch where the camera hovers on a concentric circular motif – a giant bloodshot eye, amidst an abstract swirl of red, blue, yellow, white. As the camera pulls back, the pattern fills the screen yet remains inscrutable. What are we looking at? Finally, zoomed away, we can place ourselves in the Russian potash mine, the circles on the labyrinthine walls are stamped by the boring machines that have sculpted this otherworldy landscape.
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