By Andrew Aoyama
The Atlantic
The Canadian photographer Edward Burtynsky has built a career documenting what he calls “altered landscapes”—tangled highway overpasses, sprawling oil refineries, mountainsides pockmarked by human exploitation. In 1999, he visited a tire-disposal site outside Modesto, California. It was surreal, he told me, almost sublime. He felt as if he had entered an entirely synthetic world: millions of tires stacked some five stories into the air, rubber hedgerows stretching to the horizon.
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