By Bill McKibben
The New Yorker
Since Edward Burtynsky’s birth in Ontario, Canada, in 1955, the Earth’s population has roughly tripled, and its economy has grown tenfold. This “great acceleration,” to use the title of the (exquisitely curated and hung) retrospective newly installed at the International Center of Photography, on the Lower East Side, is the most anomalous stretch in human history, and during the past four decades Burtynsky has been almost certainly its greatest visual chronicler—a poet of scale, making use of ever-better lenses and innovations such as drones to gain an ever more encompassing perspective. Perhaps the only photographer to have backed up farther from this subject was Bill Anders, the Apollo 8 astronaut who gave us “Earthrise,” in 1968. But that image was taken from too far away to even hint at the stress that the Earth was undergoing as the human footprint expanded. Burtynsky had the perfect depth of field for the task, and his images have become steadily more complicated over time.
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