Il restera toujours la culture
Radio-Canada
Elsa Pépin, Audrey Martel, Heather et Arizona O'Neil proposent des suggestions littéraires; Mara Joly parle de la série Après le déluge; Marianne Desautels-Marissal et Émile Roy ont vu l'exposition Le paysage abstrait, d'Edward Burtynsky; L'écrivaine J.D. Kurtness revient sur son livre, La vallée de l'étrange.
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CBC The Sunday Magazine with Piya Chattopadhyay
After more than 40 years photographing the industrial sublime around the world, Canadian artist Edward Burtynsky's new project brings him home to St. Catharines, Ont. He's taking an abandoned relic – a 68,000-kilogram sheet metal forge from the former General Motors auto plant, where both Burtynsky and his father worked – and turning it into a sculpture memorializing the industry and people that once drove life in his hometown. He joins Chattopadhyay to talk about his upbringing, the resource industries that define his career and his ongoing work to make his audience connect his beautiful images to the rapid destruction of our planet.
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By Casey Beal
BESIDE Magazine
Edward Burtynsky’s award-winning, large-scale photographs illuminate the environmental cost and alarming beauty of human intervention in natural landscapes. We spoke with him about his artistic influences, human responsibility for the planet, and the great grief behind it all.
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By Chris Dart
CBC Arts
The super-producer's collaboration with Edward Burtynsky looks at humanity's impact on the world around us.
Ezrin is the co-producer of In the Wake of Progress, an immersive short film based on the 40 year career of Canadian photographer Edward Burtynsky. (The other co-producer is Burtynsky himself.) The film, which looks at the effects of resource extraction around the world, made its debut last year, and is currently the centrepiece of a Burtynsky exhibition called Le paysage abstrait, on now at Montreal's Arsenal Contemporary Art gallery.
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FM 98.5
Columnist Fadwa Lapierre, who went to the Arsenal Contemporary Art to attend the exhibition The Abstract Landscape by the artist Edward Burtynsky, paints the portrait on Sunday, on the show Even le weekend.
“At first, we find it magnificent because they are landscape photos, but little by little, we realize the impact of humans on the environment, and therefore of our consumption.” – Fadwa Lapierre
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Culture Club, Ici Première
“An important, essential, disturbing exhibition. Everyone must go and see [it].”
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By Stéphanie Bérubé
La Presse
Heureusement, il y a l’art. « L’art peut éveiller les consciences, lance Ed Burtynsky. Et cet éveil est la première étape menant à un changement. »
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By Stéphane Baillargeon
Le Devoir
Photographiés de très loin et de très haut par l’oeil unique du Canadien Edward Burtynsky, un étang d’eau salée du Sénégal évoque une toile de l’abstraction lyrique, le delta du Colorado fait immédiatement penser à une oeuvre de l’expressionnisme abstrait et d’autres prises encore de champs ou de mines, captées aux quatre coins du monde, rappellent les travaux de Clyfford Still, d’Hedda Sterne ou Adolph Gottlieb.
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By Randy Renaud
CHOM 97.7
Bob Ezrin produced The Wall for Pink Floyd, Peter Gabriel's debut album, Destroyer for Kiss, Alice Cooper's classic early albums, U2's latest album, as well as albums for Deep Purple, Rod Stewart, Jane's Addiction; and he dropped by the CHOM studios to discuss a new multi-media production that he is involved in, called Le Paysage Abstrait, at the Arsenal Contemporary Art Gallery all this month. Randy Renaud talks with the legendary Canadian producer about his remarkable career, and the many artists he has worked with, and Ezrin shares personal stories about Peter Gabriel, The Edge, and Pink Floyd, and reveals whether he is still friends with Roger Waters.
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