By Tom Seymour
he Anthropocene photographs are huge, imposing and impossibly detailed, designed to stimulate in us a sense of awe – both of the beauty of the natural world, and the destruction our species has wrought upon it. They are images, the photographer says, ‘of a predator species run amok’. But few realise how personal these photographs are to Edward Burtynsky, nor how much they link to his early life.
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