NEWS HUB

Kino Lorber Teams With Kanopy For Special Theatrical Run Of Climate Change Docu ‘Anthropocene: The Human Epoch’

By Dino-Ray Ramos
Deadline

EXCLUSIVE: The climate change documentary Anthropocene: The Human Epoch is just as much a visual marvel as it is a call to action. Kino Lorber is partnering with the streaming platform Kanopy to bring the feature docu to over 100 theaters nationwide on September 25 to coincide with the U.N. Climate Action Summit and Climate Week NYC in an effort to combat man-made climate change. In addition, Anthropocene will be available for streaming on Kanopy starting January 1, 2020.

From Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky, the docu is narrated by Oscar-winning actress Alicia Vikander and screened at Sundance, Berlin and the Toronto International Film Festival to critical acclaim. Taking four years to make, Anthropocene: The Human Epoch follows the research of an international body of scientists, the Anthropocene Working Group which, after nearly 10 years of research, is investigating how the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of the profound and lasting changes humankind has made to the Earth. The film traverses the globe using state of the art camera techniques to document the evidence and experience of human planetary domination. At the intersection of art and science, Anthropocene: The Human Epoch witnesses a critical moment in geological history — bringing a provocative and unforgettable experience of our species’ breadth and impact.

Read the full article here.

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The Anthropocene Project at the MAST Foundation in Bologna: A Wake-up Call to Save the Planet

By Nicolò Gallio

When was the last time you felt mesmerised and guilty at the same time, while looking at a piece of art? It happened to me last Saturday more than once when I was visiting the Anthropocene exhibition at the MAST Foundation in Bologna. I knew I was going to experience an impactful show given the topics – pollution, deforestation, mining, climate change, urbanization – but did not fully realise the beauty that came across the powerful images captured by the cameras of world-renowned photographer Edward Burtynsky and award-winning directors/producers Jennifer Baichwal and Nicholas de Pencier.

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What Internet Memes Get Wrong About Breezewood, Pennsylvania

By Amanda Hurley
CityLab

It’s summer, and for hundreds of thousands of Americans, that means at least one burger-and-bathroom break in Breezewood, Pennsylvania. This half-mile gauntlet of gas stations, fast-food outlets, and motels, its oversized signs towering above the surrounding countryside, is familiar to anyone who has to drive regularly from the East Coast to the Midwest or vice versa.

As the New York Times explained in 2017, Pennsylvania’s “Gas Vegas”sprang up because of an obsolete law. Breezewood is a deliberately awkward transition between Interstate 70 and the Pennsylvania Turnpike, where they (almost) meet. Back in the 1950s, as I-70 was being built, a law prohibited spending federal funds to channel drivers directly from a free road to a toll road. The law was later overturned, but to comply with it, highway planners designed a looping interchange that lets drivers avoid the turnpike if they (hypothetically) want to. From this constant stream of slow-moving traffic, a mega-rest-stop was born.

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Our planet's future: are we doomed or is there hope?

CBC Ideas

In Paul Kennedy's final week at IDEAS, he looks back at his four decades with the program. We begin the series with an episode inspired by the Muskoka Summit on the Environment, an event Paul has moderated since 2010.

Paul has long had a passion for stories about the environment. Having grown up in St. Catharines, Ontario. he saw firsthand the impact of industry on the surrounding landscape.

For this program, Paul invited three guests to join him on stage for a live event at the Glenn Gould — photographer Ed Burtynsky, microbiologist Nadia Mykytczuk, and Henry Lickers, Environmental Science Officer for the Mohawk Council of Akwesasne. 

Paul asked the panel two basic questions about our collective future: are we doomed? And what inspires hope?

Listen to the full episode here.

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Edward Burtynsky photos at Cleveland Museum of Art document mankind’s troubled relationship with water

By Steven Litt
The Plain Dealer

CLEVELAND, Ohio – Anyone can get the big picture on our planet in the age of drone photography and Google Earth.

But Edward Burtynsky isn’t just anyone. The 64-year-old Canadian photographer has made a specialty of producing sublime and provocative landscapes from elevated viewpoints that include construction lifts, small airplanes, helicopters, drones and a pneumatic mast equipped with a remotely operated camera.

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Envisioning the Anthropocene

By Esther Hershkovits
Good Trouble Magazine

Over the last five years, three visual artists documented the staggering state of our current geological epoch - ‘The Anthropocene’ - collaborating with a research team of scientists to investigate our indelible signature on the planet.

The Anthropocene Project is a multidisciplinary body of work from world-renowned artists Nicholas de Pencier, Edward Burtynsky and Jennifer Baichwal. Through September 22, 2019, Fondazione MAST showcases their collaborative work. Good Trouble spoke to one of the artists, Edward Burtynsky, about the philosophy of the project/exhibit and its implications for the future.

How do you define the Anthropocene?

As part of the Anthropocene book, we wrote a glossary of terms that we had approved by the Anthropocene Working Group. “Anthropocene” is defined as follows: the proposed current geological epoch, at present informal, in which humans are the primary cause of permanent planetary change.

“Our mission would be to evangelize the word ‘Anthropocene’, raise awareness for the issues it presented, and bring both the word and its implications forward in people’s consciousness.”

When did you first hear about the term “Anthropocene” and what was your initial reaction? 

We have been aware of the word and concept for well over a decade, and it was when we were wrapping up Watermark that Jennifer suggested that this is what we should title our next project. I wondered if a project titled with an unfamiliar term could be successful. It was then that we decided our mission would be to evangelize the word Anthropocene, raise awareness for the issues it presented, and bring both the word and its implications forward in people’s consciousness.

Read the full interview here.

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Oh Dear: Photos Show What Humans Have Done To The Planet

By Jonathan Lambert and Rebecca Ellis
NPR

Humans have made an indelible mark on the planet. Since the mid-20th century, we've accelerated the digging of mines, construction of dams, expansion of cities and clearing of forests for agriculture — activity that will be visible in the geological record for eons to come.

Some scientists are calling it the Anthropocene era, or the age of the humans ("anthropos" is Greek for human).

Photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier were inspired by this ongoing discussion of the debate over this new geological era. These three Canadian artists traveled to 22 countries to research and document "places of obvious, physical human incursions on the landscape," says filmmaker de Pencier.

Read the full article here.

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Anthropocene, L’impronta Umana Sulla Terra

By Daniele Del Moro
Green Planet News

Alla FONDAZIONE MAST [Manifattura di Arti, Sperimentazione e Tecnologia] di Bologna arriva in anteprima in Europa la mostra che indaga l’impatto dell’uomo sul pianeta attraverso le straordinarie immagini di Edward Burtynsky, i filmati di Jennifer Baichwal e Nicholas de Pencier e le esperienze immersive di realtà aumentata

Anthropocene, la mostra multimediale, foto, video e quant’altro, che vuole documentare la traccia umana sul nostro povero pianeta. Ci sarà da ridere? Oppure da piangere? Sarà una messa in stato di accusa col dito puntato sul famigerato bipede o forse una mano tesa tra umani pensanti che ancora hanno a cuore le sorti di Base Terra?

Di certo, la mostra Anthropocene, a ingresso gratuito, curata da Sophie Hackett, Andrea Kunard, Urs Sthael, per la prima volta in Italia, a Bologna al MAST fino al 22 settembre 2019, costituisce una seria base di riflessione per farci tutti una domanda: amiamo la vita e dunque il terreno su cui calchiamo i nostri consumati passi?

La mostra, esplorando gli effetti delle attività umane sul Pianeta, si inscrive nel progetto artistico dellaFondazione MAST che dal 2013 conduce una riflessione approfondita sul rapporto tra l’uomo e il mondo del lavoro attraverso esposizioni di fotografia [tratte dalla collezione di Fondazione MAST o provenienti da musei, archivi e raccolte private], che raccontano il settore produttivo, le comunità dei mestieri e l’occupazione in genere.

Read the full article here.

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Burtynsky con Baichwal e de Pencier al Mast

35 fotografie, 4 enormi murales, alcune videoinstallazioni e 3 installazioni di realtà aumentata

By Monica Poggi | Il Giornale dell'Arte numero 397, maggio 2019

Bologna. Siamo nell’Antropocene, vale a dire: stiamo distruggendo il nostro pianeta. Ce lo ripetono scienziati e ricercatori, lo urlano le proteste giovanili in piazza e da qualche anno lo sottolineano  anche gli artisti. Nello specifico il fotografo internazionale Edward Burtynsky e i documentaristi Jennifer Baichwal e Nicholas de Pencier con una mostra al MAST intitolata «Anthropocene», curata da Urs Stahel, Sophie Hackett e Andrea Kunard e organizzata dalla Art Gallery of Ontario e dal Canadian Photography Institute della National Gallery of Canada in partnership con l’istituzione bolognese.

Dopo aver debuttato in Canada lo scorso settembre, l’esposizione arriva per la prima volta in Europa negli spazi della Fondazione bolognese dal 16 maggio al 22 settembre. Il progetto nasce dalla collaborazione quadriennale dei tre autori e si basa sul lavoro dell’Anthropocene Working Group, un gruppo internazionale di scienziati impegnato a dimostrare come l’uomo sia diventato la forza più potente in natura, in grado di modificare con le proprie azioni il corso delle ere geologiche.

Read the full article here.

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The Anthropocene Project

By Daniel Nash
Billionaire

A highly-anticipated multimedia project documents the indelible human footprint on the Earth.

From concrete seawalls in China that now cover 60 percent of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to the devastated Great Barrier Reef in Australia, and surreal lithium evaporation ponds in the Atacama desert, from the marble quarries in Carrara to one of the world’s largest landfill sites in Dandora, Kenya, humans' impact on Earth is unmistakeable and ubiquitous.

A new photography exhibition comprising four years of scientific research into this global phenomenon, is about to make its debut in Europe at Fondazione MAST, in Bologna, Italy, from May 16th - September 22nd 2019.

Read the full article here.

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Edward Burtynsky, le Yann Arthus-Bertrand de la fin du monde

By Margaux Dussert
L'ADN

Les images du photographe Edward Burtynsky ont des allures de peintures abstraites. Avec elles, c'est la dévastation de la Terre par nos industries que ce dernier enregistre : une réalité de pétrole, de métal, de pelleteuses et d'épaves. L'anthropocène vu du ciel en somme.

J’ai toujours été frappé par ce paradoxe : nous sommes dépendants d’une foule d’objets issus de mines et d’usines, et pourtant, on ne voit jamais ni les unes, ni les autres.

Vous êtes né en Ontario, au Canada, une région marquée par sa dépendance à l’industrie automobile. Ce souvenir a-t-il été l’élément déclencheur de votre travail ?

EDWARD BURTYNSKY : Oui, je crois. Mon père travaillait chez General Motors. Le métal qui coule dans d’énormes cuves, les immenses machines... sont mes premiers souvenirs. Je crois que j’avais 7 ans. St. Catharines, où j’ai grandi, a toujours été un lieu de passage pour les porte-conteneurs. Ils y chargent et déchargent une grande quantité de matériaux en vrac. J’ai été exposé très jeune à tout ça, et j’ai rapidement compris comment ces industries fonctionnent, comment les matériaux nous parviennent, dans quels contenants…

Read the full interview here.

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Edward Burtynsky: Human Nature.

By Steven Threndyle
Montecristo Magazine

In an elevator inside downtown Vancouver’s Telus Garden, a news item flashes on the TV. “WWF says 60 per cent of the world’s wildlife has been wiped out since 1970.” It is apt timing for such a fact, as just minutes before, renowned Canadian photographer Edward Burtynsky had participated in a Nature Conservancy of Canada panel discussion within this building’s walls, and shown stirring images from his latest project: a collaboration with Jennifer Baichwal and Nicholas de Pencier called Anthropocene.

Read the full article here.

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Anthropocene (Goose Lane Editions) Wins Canadian Museums Association Award

Anthropocene (Goose Lane Editions, 2018) is the winner of Outstanding Achievement in Research in the art category by the Canadian Museums Association. The award, presented in Toronto on April 17th at the AMA’s 2019 National Conference, was the latest honour for the book, film and gallery project, which was deemed by judges as “nationally significant and exceeded the current standard of practice by going beyond the conventional approach.”

In Anthropocene, Edward Burtynsky, Jennifer Baichwal, and Nicholas de Pencier, chronicles the massive and irreversible impact of humans on the Earth — on a geological scale.

Read the full announcement here.

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‘Anthropocene’ Tops Canadian Screen Award Doc Winners

By Pat Mullen
Point of View Magazine

Jennifer Baichwal, Nick de Pencier, and Ed Burtynsky are triple crown winners! The team scored its third win from the Canadian Academy when Anthropocene: The Human Epoch took the Ted Rogers Award for Best Documentary Feature at last night’s Canadian Screen Awards. The filmmakers previously won the Genie for 2006’s Manufactured Landscapes and the CSAfor 2013’s Watermark, making them unstoppable for their landmark environmental trilogy. Anthropocene also won the doc prize for Best Cinematography for de Pencier at yesterday’s awards. The win caps off a remarkable run for Anthropocene on the Canadian circuit, which included a spot on Canada’s Top Ten and the Rogers Award for Best Canadian Feature from the Toronto Film Critics Association. (Read more about Anthropocene in this profile from TIFF.)

Read the full article here.

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St. Catharines natives honoured at New York gala

By Karena Walter
St. Catharines Standard

Extraordinary Canadians who make an impact both at home and abroad in the arts and business sectors are honoured at a prestigious New York City gala each year.

But what are the chances that the two 2019 honourees would both be St. Catharines natives?

"It was kind of an amazing statistical coincidence," said Dean Keyworth, president of the Canadian Association of New York by phone this week.

Photographer Edward Burtynsky and businessperson Michael Sabia were recognized with awards this month at the association's Maple Leaf Ball at the Mandarin Oriental Hotel in New York City.

Read the full article here.

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Tire towers, mesmerizing mines and deforestation: Amazing aerial photos show the staggering scope and scale of how humans reshaped the planet

By Dusica Sue Malesevic
DailyMail.com

The images are, at times, otherworldly and unrecognizable. Others clearly show the tire towers, highways bisecting lush green fields, and row after row of water-damaged cars.

For photographer Edward Burtynsky, his aerial takes of landscapes, such as the one above of a phosphor tailings pond in Florida, are a way to show how humans have reshaped the planet.

The photos are part of an undertaking called the Anthropocene Project, which Burtynsky worked on with wife-husband filmmaker duo Jennifer Baichwal and Nicholas de Pencier, and includes a new book, exhibitions, and a documentary film that had its recent U.S. premiere at the Sundance Film Festival. 

Read the full article here.

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'Anthropocene,' the Groundbreaking Exhibition With Thought-Provoking Imagery and AR Installations, Will Travel From Canada to Europe

ARTFIXdaily

Breathtaking photographs and films, immersive augmented reality experiences, cutting-edge technology: Anthropocene ends Friday in Ottawa

This groundbreaking exhibition explores human impact on the planet through large-scale photographs by Edward Burtynsky, film installations by Jennifer Baichwal and Nicholas de Pencier and, new from the artists, augmented reality installations. A 236-page exhibition book is available.

The show will travel to Fondazione MAST, in Bologna, in the spring of 2019 for its European premiere.

Anthropocene, the multimedia exhibition on view at the National Gallery of Canada until February 24, 2019, is the result of an ambitious four-year collaboration between the renowned artist Edward Burtynsky and award-winning filmmakers Jennifer Baichwal and Nicholas de Pencier. Using the most cutting-edge technology of our time, combining film, photography, augmented reality (AR) and scientific research, the exhibition offers a spectacular panorama of the enormous impact humanity has had on the planet.

Read the full article here.

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'Anthropocene' Introduces the Darkest Man-Made Wonders of the World

By Luke Hicks
Nonfics

Astonishment. Pure, lurid, ravishing, genuine astonishment. That is Anthropocene: The Human Epoch. At times, you have to quadruple take, and what you’re looking at still doesn’t fully click. It’s so impossible to comprehend yet such a significant achievement in scientific study and documentary storytelling. Its story is massive in scope. On the short end, it covers 10 millennia, the span of human history. On the long end, it spans 4.5 billion years, the duration of the Earth.

“Anthropocene” refers to the recently coined epoch that many distinguished geologists and scientists believe we have entered as a result of the human manipulation of the Earth and its resources. Technically, as far as the official Geological Time Scale is concerned, the Anthropocene Epoch has not been legitimized. But, as you can imagine, it takes a little while to prove that the geological conditions and processes of the Earth have been altered enough to warrant official worldwide identification and confirmation of our current time interval.

Read the full review here.

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Berlin Fest’s ‘Anthropocene’ Looks at Human Impact on the Environment

By Nick Clement
Variety

The documentary “Anthropocene: The Human Epoch,” which screens as a Berlinale Special, exists as one part of a multimedia project, conceived by a trio of passionate and dedicated filmmakers: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky. The Canadian production enlisted Oscar-winner Alicia Vikander for voice-over duties and serves as one component of a vast spread of multimedia disciplines, with all efforts exploring the intense impact that humans have made on the Earth, in any number of geological ways.

Read the full article here.

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A man-made landscape is writ large on the screen in Anthropocene: The Human Epoch

By David D'Arcy
The Art Newspaper

After its US premier at the Sundance Film Festival in Utah, the visually stunning documentary heads to Berlin

The deep brown curves of a strip mine in New Mexico seem like contours of a woven carpet. So do the rows of a palm oil plantation in Borneo alongside a lush green rainforest. A vast garbage dump in Kenya has its own luminous topography, with plastic gleaming like jewelled inlay. Like glowing flows of molten lava, these and the many manmade environments observed in the film Anthropocene: The Human Epoch, which premiered at Sundance, are no less troubling for their eerie allure. Nature isn’t what it used to be.

Read the full article here.

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