The Oldie Podcast
Charlotte Metcalf is a journalist, editor, award-winning documentary film-maker and was co-presenter of the Break Out Culture podcast. She is Subscriptions Editor and a frequent contributor at The Oldie.
Edward Burtynsky is a Canadian artist and photographer and award-winning film-maker. A recent major retrospective at London’s Saatchi Gallery showed his large format photographs, many vast, of industrial landscapes all over the world. While they resemble beautiful abstract paintings, they depict industrialisation’s devastating impact on nature and human existence.
Listen to the episode here.
Read MoreBy Casey Beal
BESIDE Magazine
Edward Burtynsky’s award-winning, large-scale photographs illuminate the environmental cost and alarming beauty of human intervention in natural landscapes. We spoke with him about his artistic influences, human responsibility for the planet, and the great grief behind it all.
Read the full interview here.
Read MoreBy Chris Dart
CBC Arts
The super-producer's collaboration with Edward Burtynsky looks at humanity's impact on the world around us.
Ezrin is the co-producer of In the Wake of Progress, an immersive short film based on the 40 year career of Canadian photographer Edward Burtynsky. (The other co-producer is Burtynsky himself.) The film, which looks at the effects of resource extraction around the world, made its debut last year, and is currently the centrepiece of a Burtynsky exhibition called Le paysage abstrait, on now at Montreal's Arsenal Contemporary Art gallery.
Read the full article here.
Read MoreCulture Club, Ici Première
“An important, essential, disturbing exhibition. Everyone must go and see [it].”
Listen to the full segment here.
Read MoreBy Stéphanie Bérubé
La Presse
Heureusement, il y a l’art. « L’art peut éveiller les consciences, lance Ed Burtynsky. Et cet éveil est la première étape menant à un changement. »
Read the full article here.
Read MoreBy Stéphane Baillargeon
Le Devoir
Photographiés de très loin et de très haut par l’oeil unique du Canadien Edward Burtynsky, un étang d’eau salée du Sénégal évoque une toile de l’abstraction lyrique, le delta du Colorado fait immédiatement penser à une oeuvre de l’expressionnisme abstrait et d’autres prises encore de champs ou de mines, captées aux quatre coins du monde, rappellent les travaux de Clyfford Still, d’Hedda Sterne ou Adolph Gottlieb.
Read the full article here.
Read MoreBy Randy Renaud
CHOM 97.7
Bob Ezrin produced The Wall for Pink Floyd, Peter Gabriel's debut album, Destroyer for Kiss, Alice Cooper's classic early albums, U2's latest album, as well as albums for Deep Purple, Rod Stewart, Jane's Addiction; and he dropped by the CHOM studios to discuss a new multi-media production that he is involved in, called Le Paysage Abstrait, at the Arsenal Contemporary Art Gallery all this month. Randy Renaud talks with the legendary Canadian producer about his remarkable career, and the many artists he has worked with, and Ezrin shares personal stories about Peter Gabriel, The Edge, and Pink Floyd, and reveals whether he is still friends with Roger Waters.
Listen to the full interview here.
Read MoreDaniel Browning
The Art Show | ABC Radio National
Edward Burtynsky is a Canadian-Ukrainian photographer who captures human activity on Earth that's normally too big to perceive, except through aerial photography.
His scenes of rapid industrialisation and large-scale pollution characterise the Anthropocene, the idea that we are in the age of man-made environmental crisis. So how does he pick his monumental subjects? And what has he witnessed over his 40-year career?
Listen to the episode here.
Read MoreBy Neha Kale
The Saturday Paper
Caspar David Friedrich’s unsettling vision of the sublime is a key inspiration for Edward Burtynsky’s chronicles of human destruction of the natural world.
Read the full article here.
Read MoreBy Declan Bowring
ABC Radio Sydney
Photographer Edward Burtynsky has spent his life trying to capture the environmental cost of civilisation and he is struggling to keep up.
"The world's making more of my subject every day," Mr Burtynsky told ABC Radio Sydney Breakfast presenter James Valentine.
Read the full article here.
Read MoreBy Sarah Ward
Concrete Playground
When January rolls around, Sydney Festival fills the city with a massive array of arts and culture events, and kickstarts each new year in style in the process. But sometimes there's something on the fest's bill that's just too exciting to hold back until its next season — and filling the Oxford Street Precinct with nine-metre screens showcasing stunning aerial industrial landscape images from a renowned photographer is one such event.
Those photos hail from acclaimed Canadian Edward Burtynsky and, from Thursday, August 25–Sunday, September 18, they'll be on display in Sydney's Taylor Square. Sydney Festival is setting up three screens as part of an installation called In the Wake of Progress, a free immersive multimedia piece which'll span 40 years of Burtynsky's work.
Read MoreBy Nick Galvin
The Sydney Morning Herald
Pedestrians passing through Darlinghurst’s Taylor Square will next week be confronted by three massive electronic screens showing startling images of global industrial landscapes.
Called In the Wake of Progress and accompanied by an original score, the epic multimedia project is a clarion call for action on climate change.
Read the full article here.
Read MoreAustralian Photography
The work of Canadian photographer Edward Burtynsky – known for his large-scale depictions of humanity's impact on the planet – are set to blanket Sydney’s Oxford Street precinct from next week.
Towering across three immense nine-metre screens, Burtynsky’s new work, In the Wake of Progress, will 'envelop and illuminate' Taylor Square from 25 August until 18 September as part of the Sydney Festival.
Read the full article here.
Read MoreBy Chrissie Goldrick
Australian Geographic
The very fabric of our daily lives; the clothes we wear, the food we eat, the homes we inhabit and the cars we drive depend upon vast global supply chains that in turn rely on the exploitation of human and natural resources to create and maintain. The irony of Burtynsky’s large-scale depictions of humanity’s impact on the planet is that his images are absorbing, mesmerising and often jaw-droppingly beautiful.
A major new public multimedia installation featuring his work will open in Sydney in August, and the man himself will be there to present a series of talks and events at the Australian Museum in partnership with Sydney Festival. Projected across three 9m screens, In the Wake of Progress will illuminate Oxford Street’s Taylor Square in Darlinghurst from 25 August–18 September 2022.
Read MoreBy Ian Austen
CANADA LETTER
The New York Times
Long before the climate crisis was the focus of global concern Canadian photographer Edward Burtynsky was traveling the world documenting what people have inflicted on the environment and, by extension themselves.
Read the full article here.
Read MoreBy Neil Ever Osborne and M.A. Jacquemain
The Weather Network
After the public world premiere of Burtynsky’s multimedia art piece, In the Wake of Progress, on the towering screens surrounding Yonge-Dundas Square, this new body of work has been transformed into “an immersive walkthrough experience” at the Canadian Opera Company Theatre in Toronto for a limited run from June 25-July 17.
Renowned Canadian photographic artist Edward Burtynsky has launched a new exhibit this month, revisiting his lifelong subject of the human impact on the planet.
“We're at that point where words aren't enough,” he added. “We need to act.”
Read the full article here.
Read MoreBy Mark Wigmore
Classical FM
Edward Burtynsky joined Mark Wigmore on The Oasis.
Listen here.
Read MoreBy Sue Carter
Toronto Star
The lush forest in the opening sequence of photographer Edward Burtynsky’s “In the Wake of Progress,” a monumental new film installation at the Canadian Opera Company Theatre, provides visitors with some digital tree-bathing.
Visitors can move around and get up close as a caribou saunters and a bald eagle flies in, surveying the scene across three nine-metre screens. An animator spent six months in post-production adding wildlife and movement to one of Burtynsky’s panoramic still photos and the effects are seamless, down to the rustling ferns.
Despite the peacefulness, there is underlying anxiety. This is Burtynsky, after all, who has dedicated his 40-year career to documenting human impact on the environment. Serenity isn’t the intended takeaway from “In the Wake of Progress.” It’s a call to action and to witness.
Read the full article here.
Read MoreBy Laura Hensley
Canadian Business
In our Workspace series, CB is featuring interesting, smart-designed and one-of-a-kind spaces across Canada. From innovative home offices to out-of-the-box co-working spaces to unconventional setups—like this beauty company run out of a rural farmhouse and this vintage-clothing studio—we are looking to showcase the most unique and beautiful spaces from all industries. This month we are profiling the studio of Canadian photographer Ed Burtynsky.
Read the full article here.
Read MoreBy Irena Galea
The Globe and Mail
Burtynsky’s newest work is a 22-minute film that forces viewers to reckon with the global environmental and human impact of industrialization.
The boy on the screen leans against his metal tools in Chittagong, Bangladesh, to the sound of a warped orchestra. He’s dwarfed by the blackened hull of a ship looming behind him. It’s no longer being covered by insurance, so somebody, somewhere, has to take it apart. He got the job.
The hazardous working conditions he endures are propped up by the same developed countries where his photograph might be viewed, as Western shipowners often outsource their shipbreaking to Asian countries such as Bangladesh, exploiting cheap labour and a lack of workplace regulation.
Read the full article here.
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