NEWS HUB

Alicia Vikander-Narrated Climate Change Doc ‘Anthropocene’ Nabbed by Kino Lorber

By Etan Vlessing
Hollywood Reporter

The Canadian film, by directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky, is set for a September theatrical release.

The Canadian documentary Anthropocene: The Human Epoch, narrated by Oscar winner Alicia Vikander, has had its U.S. rights nabbed by Kino Lorber.

The climate change film that explores the human impact on our planet debuted at the Toronto International Film Festival before a recent screening at Sundance and ahead of a European premiere in Berlin. Kino Lorber plans a September theatrical release to coincide with the UN Climate Change Summit 2019.

Read the full article here.

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Seville International licences ‘Anthropocene: The Human Epoch’ to Kino Lorber (exclusive)

By Jeremy Kay
Screen Daily

Seville International announced from Sundance on Tuesday (29) it has licensed US rights on Anthropocene: The Human Epoch to Kino Lorber and struck key additional international sales.

The documentary from Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky is the first acquisition by Kino Lorber in association with Kanopy, the free streaming platform available to college students and professors, and public library members across the US.

Read the full release here.

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“Anthropocene: The Human Epoch” Beautifully portrays the horrors of man’s new era

By Pamela Powell
Reel Honest Reviews

⭐️⭐️⭐️⭐️

“Anthropocene: The Human Epoch” is the third film by Jennifer Baichwal and Edward Burtynsky to address the environment, preceded by “Manufactured Landscapes” (2006) and “Watermark” (2013). The film, narrated in layman’s terms by Alicia Vikander, gives us a stunning visual education of our current world’s state as we leave behind the Halocene Era, one which nature provides changes, to the Anthropocene Era, where man is responsible for all of them.

Read the full review here.

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“I was Amazed That We Got Permission to Film in Russia”: Directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky | Anthropocene – The Human Epoch

Filmmaker Magazine

Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them.

So, we ask: “What hidden part of your film are you most privately proud of and why?”

The scenes in the film from Norilsk and Berezniki in Russia have particular resonance for us, for a number of reasons.

I was amazed that we got permission to film in Russia. All our research indicated that it’s never been harder to get a North American camera crew into the country since the Cold War. And we were pushing it even more by trying to get into underground mines in the Ural mountains and into the “closed city” of Norilsk. To film in the subterranean, psychedelic potash mines, the tunnels of which span over 3,000 kilometers, we needed an invitation from the mining company. Norilsk, 200 miles north of the Arctic Circle, is a one company town of around 175,000 people. It has the largest colored metal mine (chances are your cellphone has palladium in it from Norilsk) and heavy metals smelting complex in the world, and is one of its most polluted cities. There is no road or rail access. Because of its strategic importance and gulag forced-labor history, even Russian citizens need special permission to go there. It took a long time to process the visas and I felt the odds were insurmountably against us, and that we were just going through the motions to say we had tried. Then one day they arrived. Incredible. — Nicholas de Pencier

Read the full article here.

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Sundance Film Review: ANTHROPOCENE: The Human Epoch

By Alexander Ortega
Slug Magazine

ANTHROPOCENE: THE HUMAN EPOCH SUNDANCE FILM FESTIVAL

Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky

Imagine yurt-like structures made of elephant tusks. Then shift your vision to bright-green pools of lithium in a middle-of-nowhere desert, with pipes flowing the alien-looking liquid from one area to an adjacent one. Grimy machinery forges red-hot iron shapes then cools the metal objects in pools with nary a human hand. These images, together, may seem like they’re from a space western or a novel set in a dystopian future, but they’re contemporary, real-life images from Earth, depicted in Sundance documentary Anthropocene: The Human Epoch.

Read the full review here.

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