By Jonas Cuénin
Blind Magazine
At the International Center of Photography (ICP) and the Howard Greenberg Gallery, Edward Burtynsky's series, The Great Acceleration and Natural Commodities, speak to each other like two chapters of a single visual narrative, finding poetic breathing space in the face of the issues they raise. We are thus invited to look differently at this world shaped by our hands—and by our choices.
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Read MoreBy Donald Kuspit
Whitehot Magazine
We’re high above the Salt River Pima and Maricopa Indian Community, a suburb of Scottsdale, Arizona in the USA, 2011, the master Canadian photographer Edward Burtynsky tells us, looking down at what seem to be fields of green—flourishing nature, arranged in intricate geometrical patterns—twinned with what seem to be a desiccated version of the same field, no longer enjoyably scenic, delightfully picturesque.
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